French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.  Related Paintings of Henri Fantin-Latour :. | Homage to Delacroix | Nature Morte aux Chrysanthemes et raisins | Immortality | Still Life, Corner of a Table, | Charlotte Dubourg |
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GAREMIJN, Jan Antoon
Flemish Baroque Era Painter, 1599-1641
John Ritto Penniman
John Ritto Penniman (1782-1841) was a painter in Boston, Massachusetts, USA. He created portraits, landscapes, and allegorical paintings, as well as designs for engravings, such as the official seal of the city of Boston in 1822. He also worked as an assistant to Gilbert Stuart. Penniman died in 1841 in Baltimore.
Antonio Carvalho de Silva Porto
(Porto, 11 November 1850 - Porto, 11 June 1893) was a Portuguese naturalist painter. Born in Porto, he studied there under João Antenio Correia and T. Furtado, then continued his studies in Paris and Rome. While in Paris he exhibited his work in the Salon and in the World´s Fair of 1878. In Paris, he studied with his friend João Marques de Oliveira, where they were pupils of Adolphe Yvon and Alexandre Cabanel. They became followers of the naturalist Barbizon School, and brought the new school of painting to Portugal, when they returned in 1879. Silva Porto become one of the most acclaimed naturalist painters of his generation, showing the heritage of Jean-Baptiste Camille Corot and Charles-François Daubigny. Secondary effects from impressionism can sometimes be found in his paintings.